Neuroqueer and Its Limits; or, Are These Not Just Excuses to Not Connect?

One of my early childhood memories is of a child psychologist’s office. I believe I was about three or four. I don’t remember the size or shape of the room, the psychologist’s face or voice, or any of the questions he asked me. I don’t even remember how many times I went to see him, except that it was probably more than once. What I remember is the dollhouse. Among the handful of toys that occupied the psychologist’s office, it was that cross-section of domesticity in miniature – the people, their tiny furniture and ordinary household objects – that completely absorbed me.

While I would not be diagnosed as autistic until roughly the age of thirteen, there were already things about me that my parents had identified as atypical. Concurrently with this, I had no concept of normative gender performance for a boy: I would bat my eyelashes demurely at people; my mom’s makeup and accessories filled me with a hushed fascination; after baths, I would ask my dad to wrap the towel around me like a skirt I could swish around. A couple years later, at school, I was genuinely perplexed and astonished by my peers’ consternation when I declared that pink was my favourite colour. All of these things converge in my memory of the dollhouse in the child psychologist’s office.

The confluence of neurodivergence and gender/sexual deviance, such as that contained in this childhood memory, is what some scholars have come to describe as ‘neuroqueer’. Nick Walker, one of the originators of the term alongside Remi Yergeau, conceives of neuroqueer ‘as a verb: neuroqueering as the practice of queering (subverting, defying, liberating oneself from) neuronormativity and heteronormativity simultaneously’ (2021). Simply put, just as heteronormativity encodes and enforces ‘correct’ ways of doing gender and sexuality through repetition, and these norms can be subverted and disrupted through queer acts, neuroqueering draws our attention to society’s privileging of particular modes of thought, cognition, and communication, and how those of us who deviate from them can wield that difference subversively.

As Yergeau has outlined, there’s considerable reason to approach neurodivergence, particularly autism, and queerness simultaneously beyond this potential symmetry. As they put it, ‘[a]utistics are often clinically conceived as queer, both in the identitarian sense and the “this is abnormal and defies all logic and theory” sense’ (Yergeau 2018: 209). Not only do autistic people show a higher proportion of LGBTQ+ identification than the general population; autistic people are also queered by normative society and the medical establishment because the movements and orientations of our minds and bodies break from established social codes. Many autistic people are subjected to ‘corrective’ therapies such as applied behavioural analysis (ABA), which resemble gay conversion practices not just in general contours but in shared histories and even practices. Yergeau highlights how, in the early days of psychiatry, neurodivergent conditions were thought to be caused by sexually deviant behaviour; in the present, behavioural therapies still often entail enforcing normative gender performance in children.

Given this history, extending the methods of queer theory to describe neurodivergent experiences seems not just appropriate but necessary, offering an alternative to pathologizing narratives that see neurodivergence as something to be curtailed and corrected. Yergeau’s Authoring Autism: On Rhetoric and Neurological Queerness (2018), arguably the most influential scholarly work on neuroqueerness, is at its most powerful and exciting as a corrective to clinical misapprehensions of autism, which are mired in eugenicist, homophobic, and transphobic histories and assumptions about how one should move through the world. In the UK, for instance, the considerable overlap between autistic people and trans identification has been weaponized by anti-trans ‘gender critical’ activists, in collaboration with far-right religious organizations, as ostensible proof that trans people do not know their own minds and must be ‘rescued’ from ‘trans ideology’. Through engaging and often playful prose that cuts through the frequent heaviness of their subject matter, Yergeau persuasively argues for autistic people as producers of knowledge, most importantly knowledge about ourselves, even when that knowledge isn’t legible from a normative lens. Counter to dominant narratives that figure autism as a lack of rhetoric, Yergeau calls for ‘a rhetoric that tics, a rhetoric that stims, a rhetoric that faux pas, a rhetoric that averts eye contact, a rhetoric that lobs theories about ToM [theory of mind] against a wall’ (2018: 31).

As the memory that opened this post attests, many of my own experiences chime with the modes of life that neuroqueer theory describes. I first encountered the term ‘neuroqueer’ at an activist workshop in 2016, shortly after I had just come out as gay. At the time, it felt powerful to be able to marshal these two parts of myself as a dissident identity at odds with dominant society, and to see them as mutually illuminating and mutually constitutive of one another. Neuroqueer theory has also begun to find purchase in the field of fantasy studies; Jes Battis’s Thinking Queerly (2021) argues that wizards in medievalist fantasy fiction outline neuroqueer ways of thinking and being. This post grew out of research I am doing for a chapter in my current writing project on Laurie J. Marks’s Elemental Logic series (2002-2019), whose magic system metaphorizes diverging orientations to knowledge via the four classical elements of fire, earth, water, and air. And yet, as generative as I’ve often found neuroqueer theory, the more I read and experience the more reservations and criticisms I’ve begun to have of its applications in practice. In José Esteban Muñoz’s parlance, I disidentify with neuroqueer: it has limited utility in helping me articulate some parts of myself, but fails to encompass the whole.

I say this with some trepidation, knowing that neuroqueer has given many people a vocabulary for staking a claim to self-determination and resisting dominant narratives of autism and other forms of neurodivergence as primarily destructive forces. Those narratives are currently gaining political ground, with major figures like RFK, Jr., peddling eugenicist rhetoric that positions autism as the enemy of a healthy society. With this in mind, I offer my thoughts here not as an opponent of neuroqueer theory, but as a fellow-traveller who sometimes finds my experience diverging from its broad tendencies.

Of course, there are virtually as many autisms as there are autistic people. I am sure that, to some, my criticisms will seem to be merely that I have different things in my Jeep than Walker, Yergeau, et al. have in their Jeeps, and I’m prepared to accept that they might be onto something. Nevertheless, I’m fascinated by the extent to which I do and don’t recognize myself in a school of thought that purports to speak to and for me. In queer theory and disability studies at large it’s discouraged to speak in sweeping generalizations. All knowledge is partial and contingent; ideally one speaks in the first person, saying, ‘This is how it’s been for me.’

So, this is how it’s been for me. My autism diagnosis allowed me to access accommodations without which my high school experience would have been infinitely more difficult. But on a personal level, it was more disorienting than clarifying. Despite my having met the diagnostic criteria, the clean lines that my parents, doctors, and teachers often drew between what they saw of my outward behaviour and abstract lists of symptoms often made me feel like they were describing a person I didn’t recognize. To complicate this, I was beginning to develop a sense of profound dissonance with the evangelical Christian environment in which I was raised, but unable to name the sources of that dissonance. The limited and imperfect ways I struggled to articulate this were often reduced to yet more symptoms by the adults in my life. I was told, time and again, to shift my focus, to get outside my own perspective. One psychologist I regularly saw would ask me how I thought God felt about my clashes with my parents. This was maddening.

It’s on this front that I resonate most strongly with Yergeau’s recollection that ‘[w]hat autism provided was a discursive framework, a lens through which others could story my life. […] My very being became a story, a text in dire need of professional analysis’ (2018: 1). One of the most radical possibilities that approaching neurodivergence through a queer lens poses is that of de-essentializing the stories clinicians and caregivers tell about neurodivergence, and even neurodivergence itself. As medical research on autism begins to catch up to autistic people’s knowledge about ourselves, ‘autism’ appears less as a coherent category that objectively exists ‘out there’ somewhere and more as a loose constellation of multiple tendencies and ways of perceiving and inhabiting the world. To some extent, this is how all diagnoses work: diagnostic categories are fictive constructions indelibly shaped by the cultural, historical, and social contexts in which they emerge. But it is particularly potent to deconstruct ‘autism’ in this way because of the powerful sway it holds over the collective cultural imagination. Put another way, ‘autism’s essence is its considered lack of essence’ (ibid.: 200).

Yet here, neuroqueer theory is backed into a strange corner, because its oppositional logic demands that it continue to affirm diagnostic misrecognitions and overdetermined generalizations as sites of reclamation. Nowhere is this more apparent than in neuroqueer theory’s treatment of the phenomenon of ‘masking’, or ‘hiding’ autistic traits. As Walker frames it, ‘[t]he dominant culture […] pushes neurodivergent people to prioritize passing for “normal” at the expense of their own well-being, mirroring the way that queer people have traditionally been pressured to stay closeted’ (2021). Under this rubric, to modify one’s ‘innate’ or ‘natural’ neurodivergent impulses for any reason is to suppress a ‘true’ neurodivergent self via performance of neurotypicality. For evidence of this, Walker gestures toward scholarship on how ‘the suppression of non-normative embodiments for the sake of compliance with standards of neuronormative performance […] does profound psychological harm toward neurodivergent people and is strongly correlated with depression and suicidality’ (2021). I do not doubt the reality of these experiences. All I can say, especially having (mercifully!) never been subjected to anything like ABA, is that they have not been mine.

This is how it’s been for me. As a teenager I did not want to be alone, as the common understanding of autism insisted was my natural inclination. I longed to bond with people on a deep level, but even as I learned to adapt I struggled to connect beyond surface interactions. When I moved away for college, I was determined to make a fresh start and learn to communicate better. Not that the process was at all straightforward or linear. It was hard, and involved a lot of trial and error, not to mention pain and heartbreak. But connecting with others was enough of a priority for me, and the people I connected with were important enough to me, to continue to make the effort.

I resonate with many of the disparate strategies autistic people use to engage socially, and their wearing effects, that tend to get grouped together under the terminology of ‘masking’. I just think that masking is a bad metaphor for them. Navigating social situations comes with many hidden costs of mental and emotional energy for autistic people, it’s true; sometimes we are more up to the task than others, and sometimes the reasons for expending that energy are better than others. And, of course, some modes of interaction are simply unavailable to some people. I am very far from proclaiming that we should all just keep our heads down and ‘act normal’. What I am trying to gently suggest instead is that we not write off as impossible things that we merely find challenging. Trying to maintain a constant performance of ‘normalcy’ may be doomed to fail, but it also probably won’t kill me to make small talk with the cab driver, or make sure that I exercise brevity and ask an actual question at a Q&A panel, or perform any of the other myriad small social niceties for the sake of others that are the bedrock of any functioning community.

I am very fortunate in adulthood to have a very queer social circle that mostly comprises people who are neurodivergent in various ways. One result of this is that I’ve become a lot more comfortable letting my guard down; I am less afraid to talk about my tendencies and needs, check in about an ambiguous interaction, apologize for a lapse in communication or awareness, or ask for clarification or reassurance, and I hope that others feel comfortable doing the same with me. At the same time, many of the norms of social interaction I practiced in my teens and twenties have come to be more intuitive to me. I’m able to read tone and subtext more readily and can keep a conversation flowing by asking questions without much conscious thought. The effects of this have not been entirely positive; one lingering after-effect has been a kind of hyper-vigilant anxiety left over from when communicating took more active effort. (‘It’s like you have body dysmorphia but for your personality,’ one friend recently quipped.)

Still, I have to ask: if I have genuinely learned many of the communication skills that have taken me longer to pick up than others, as I feel I have, am I still masking? And what would ‘unmasking’ even entail in this context? Given that I am happy to freely disclose my autism in casual conversation, even while adapting my communication to the social context, could we say that what is happening here is something other than performance of ‘neurotypicality’? Could at least some of the things we call ‘masking’ not be better described as social adaptation – the little adjustments that we are all, autistic and nonautistic alike, constantly making, in order to meet each other halfway?

It’s been in moments when I’ve challenged myself to push past initial discomfort that I’ve discovered things about myself that most profoundly clash with pathologizing orthodoxies about autistic people: that, given the chance, I will usually choose to leave the house and stay out whereas my undiagnosed husband relishes a night in; that more often than not I enjoy physical touch – sexual, romantic, platonic; that, despite my difficulties and anxieties around social interaction, I am most at home when surrounded by other people.

Nonautistic ‘other people’ figure most prominently in Yergeau’s study as misunderstanding or hostile witnesses to neuroqueer rhetorics, who then go on to misnarrate the autistic behaviour they have just observed. As in much of Yergeau’s analysis, there is a lot of truth here: I don’t doubt their vivid accounts of infuriating conversations with nonautistic parents of autistic children, nor their descriptions of the friction of living in a society not designed for autistic flourishing, nor the numerous clinical reports they cite as damning evidence of clinicians’ failures and refusals to take autistic people seriously as subjects on their own terms. Again, I can recognize a lot from my own experience in what they describe. But it isn’t the whole truth, and the overwhelmingly oppositional narrative that emerges from this partial view accounts for my biggest frustration with the limits of neuroqueer as a concept: its uncharitable view of people.

Despite the considerable interventions Yergeau makes toward challenging pathologizing clinical constructions of autism, they remain infuriatingly boxed in by those same constructions when it comes to outlining an actual method for approaching neuroqueer rhetoric. It especially troubles me that they take clinical mischaracterizations of autistic people’s antisocial nature at face value. As they narrate, ‘[a]utistics are not only actively antisocial, defying the bounds of multiple social fabrics, but we are the ultimate asocial beings, forwarding self over others, humanizing objects and objectifying humans, rigid in our gaze and our gait and our affect’ (Yergeau 2018: 27).

Yergeau is here partly drawing on Lee Edelman’s No Future (2004), which analyses how straight culture figures queer people as threats to the dominant familial order and its future, embodied in the construct of the child. Edelman argues that to straight culture, homosexuality is ‘sinthomosexuality’ (2004: 35), as it is a symptom (sinthome in French) of the drive to end the dominant heterosexual order and deny its future. Connecting this analysis to neurodivergence is, admittedly, appealing in a society in which autism is popularly figured as a scourge on the family and the denial of the child’s imagined neurotypical future. Edelman’s argument, and the antisocial or antirelational turn in queer theory it represents, has also been criticized by Muñoz, who points out that the dominant heterosexual sociality that Edelman rightly criticizes is not the only possible sociality, and that ‘all children are not the privileged white babies to whom contemporary society caters’ (2019: 94).

Yergeau interprets Muñoz’s critique of Edelman as a call toward intersectionality, a reminder that we should be attentive to how multiple layers of oppression and privilege fundamentally shape and compound experiences of queerness and neurodivergence. While this is part of what he’s getting at, Muñoz starts from this observation to make a more pressing point: the sociality that Edelman so roundly repudiates does not uniformly consist of white (cis, able-bodied, etc.) gay men’s oppressors, nor can queer people who are not white (cis, able-bodied, etc.) gay men – or even many of us who are! – simply opt out of that social order or its effects. This has profound implications when extended to neuroqueerness that neither Yergeau nor Walker fully take on board.

What good, to give an example from my own life, does ‘a rhetoric that averts eye contact’ do either party when I’m speaking with a deaf friend who sometimes relies on lip-reading? (I say this as someone who once had another autistic friend describe the first time we met in person as ‘two people failing to make eye contact’.) Yergeau is quick to acknowledge the neurodiversity movement’s intellectual debts to deaf activism, pointing out the symmetry of the struggles and stating that ‘autistic culture has come to figure itself as a kind of child of the deaf-queer’ (2018: 209). And yet this briefly sketched intellectual and activist history still can’t account for the silent realization that confronted me in my friend’s living room on a morning in early autumn, after about the third time he gently asked me to repeat something I’d said. The dynamic here was not the oppositional fantasy of the misunderstood neuroqueer individual against a world of uncaring neurotypicals, but an example of two differently disabled people trying to meet somewhere in the middle. We live, as the saying goes, in a society. My needs and feelings and default modes of communicating are not the only ones that matter.

Most autistic people are willing to accept this notion when a powerful man brandishes an autism diagnosis in response to claims of sexual harassment or assault. It’s somehow harder to face when you’re the one in the hot seat for something less insidious. Someone signals that a topic you’ve brought up in a group setting is inappropriate, or that you’re dominating the conversation, or that your voice is too loud in a public place. Someone pulls you aside after a night out and says that something you said or did hurt their feelings. Someone – maybe even another autistic person – experiences your demeanour in a professional context as brusque or needlessly combative. These examples, all drawn from my actual experiences, are ones where I have not always occupied the same position. I’ve been both the one to divert the topic of conversation and the one brought up on an ill-judged statement; I’ve been the one to raise the professional complaint and the one to consciously modify how I come across. What I am trying to express here is something of the complexities facing actual neuroqueer subjects navigating ordinary life, and ordinary life frequently refuses to obey the logic of a manifesto.

Walker’s treatment of neuroqueerness is considerably more open to other people, if only insofar as they can be made to be more like us. To his credit, Walker dispenses with essentializing definitions of neurotypicality, observing that ‘neurotypical people aren’t born naturally compliant with the rules of normative performance; they’re just people who’ve deeply internalized those rules and are capable of maintaining that performance and experiencing it as natural’ (2021). Yet, because Walker’s argument about masking requires him to frame autistic impulses as ‘natural’ and ‘innate’, this reinforces an unfortunate binary between authentic neuroqueer subjects on one hand, and on the other, ‘neurotypicals’ who are always performing.

Walker doubles down on this formulation via a quasi-mystical account of autistic stimming, stating that

‘[a]ll babies and toddlers stim. The people we describe as neurotypical tend to lose touch with the capacity for spontaneous stimmy movement as it becomes buried beneath the socially instilled and internalized performance of normative embodiment. Many autistic or otherwise innately neurodivergent people, on the other hand, tend to remain connected to that capacity to whatever extent they manage to resist being shamed and/or brutalized and/or abusively therapized out of their attunement to it. Either way, though, a unique and beautiful version of the spontaneous organismic dance of stimming abides within each and every human being, no matter how deeply repressed it might be in some cases. With sufficient commitment, a proper spirit of open-minded exploration, and a willingness to let go of normal, anyone can learn to reconnect with that dance and embody it—and that process of reconnection can start with something as simple as experimenting with using one’s hands to stim more.’ (2021)

I am nearly constantly stimming with my hands or other parts of my body. It is a semi-regular occurrence, during a conference panel or collaborative working session, for a friend or colleague to shove a fidget toy or lump of Silly Putty into my hands with a knowing and affectionate smirk. Having said this, I am not at all sure that I need to reimagine my stimming as part of a ‘spontaneous organismic dance’, a retained link to my infant curiosity or privileged knowledge of my body that those unfortunate ‘neurotypicals’ lack, in order to affirm it as part of how I live. Mostly, it’s a nervous habit that gets me through the day.

Walker cites Judith Butler’s Gender Trouble (1990) as informing his account of neurotypical performance, arguing that neurotypical social norms are enforced by a similar process to binary gender, and can likewise be disrupted. But the observation underpinning Butler’s entire argument is that there is no ‘pure’ mode of being that is not mediated by the social in some way, no ‘authentic’ self to recover, although there are obviously people who find the gender they were arbitrarily assigned at birth more liveable than others. One cannot ‘unmask’ gender; the methods Butler uses to disrupt it involve working within its codes in ambivalent and often parodic ways to scramble them, creating new masks by splitting and recombining the ones prescribed – this, for instance, is what Butler argues is happening in a drag performance.

Walker’s anti-essentialism, in advocating for an expansive vision of neuroqueer in which anyone can participate regardless of diagnosis or lack thereof, is in some sense admirable, but it is an anti-essentialism that only moves in one direction. The end point of his account of neuroqueering is one in which ‘those whom we call neurotypicals are just potential mutant neuroqueer comrades who haven’t yet woken up and figured out how to unzip their normal-person suits’ (2021). I do not find this as affirming as Walker evidently means it to be; it trades Yergeau’s pessimistic view of the impossibility of connection between neuroqueer subjects and ‘neurotypicals’ for one in which connection is possible because everyone turns out to be just like me. Both of these options are depressing prospects, indicative of a desire to make neuroqueerness a privileged site of grievance, knowledge, and resistance the same way some second-wave feminists aimed to do with womanhood. It’s an alluring and dangerous desire for any marginalized group, one whose end results are TERFism and Zionism and any number of other oppressive ideologies that trade in the language of the oppressed. As Björk – something of a neuroqueer icon in her own right – once sang, ‘Are these not just excuses to not connect?’

This post has been, in part, an exercise in what Yergeau and other neurodiversity scholars term ‘autistethnography’, the exercise of telling autistic stories from our own perspective. Yergeau posits that ‘[t]he overshare—the autistethnographic impulse—functions as one means through which autists ground themselves and inter/relate with others’ (2018: 212). I can appreciate this, and also recognize that if I leave an interaction and can’t remember a single question I asked another person about themselves, we might have a problem. I’m turned off by the prospect of a critical stance that demands that the entire world bend to my impulses, that aims, in Stephen Ira’s words, to ‘pave the world in leather instead of making sure everyone has a pair of shoes’ (2021). Even beyond any theoretical objections, it just isn’t how I want to be. The other people in my life aren’t inanimate figures I can arrange just so like tiny furniture in a dollhouse, and thank God for that. If for a brief period in my twenties I was excited by the possibilities of wielding autism and neuroqueerness as political identities, in my thirties this has softened considerably into a kind of boring pragmatism. These days, when someone asks me whether they should pursue a formal diagnosis of autism, my response is usually, ‘I don’t know. What do you hope to gain from it?’

As neuroqueer theory matures, it could stand to benefit from the pragmatic perspective of a discipline like trans studies, which has often found it necessary to temper queer theory’s utopian visions and subversive posturing in order to chart liveable trans lives in the here and now. Grace E. Lavery notes that within a trans studies framework, ‘attempts to improve the lives of women and queers’ are ‘accredited on the basis of their efficacy, not their elegance, and certainly not on their conformity to macro-epistemic schemes of knowledge’ (2023: xix). Trans studies’ engagement with complex practical and political questions of passing and stealth, how one narrates oneself to obtain the desired result in a clinical setting, and how the answers to these questions may change depending on any number of shifting contextual and circumstantial factors, may be able to lend neuroqueer theory more nuanced vocabularies for the ways neurodivergent people navigate everyday life beyond ‘masking’ and ‘unmasking’. J. Logan Smilges (2023) has already admirably begun this work in tracing the symmetries between ‘nonbinary’ and ‘neurodivergent’ as points of identification, and the resources they may offer one another in responding to the practical demands of communal living.

To name the limits of neuroqueer does not make the insights it brings to bear on the intersections of neurodivergence, gender, and sexuality any less pressing, in the same way that acknowledging the limits of second-wave feminism does not necessitate dismissing its criticisms of patriarchy. I want a rhetoric that has room for the reality that it may need to adapt, even in a room full of other autistic people; a rhetoric that can acknowledge that we can’t theorize our way out of the fact that living alongside other people is hard and painful and yet, potentially, still worth it. The fact that the stakes are high makes it more important, not less, that we be able to differentiate between systemic power imbalances and interpersonal insecurities; that we find ways to communicate across difference; that we reject separatism as the forces of capitalism strive to keep us alienated; that we keep giving ground where we can and making room for each other. We are in this life together, so come in. Sit down. And let me ask you, how has it been for you?

Works cited

Battis, Jes. Thinking Queerly: Medievalism, Wizardry, and Neurodiversity in Young Adult Texts (Berlin and Boston, MA: De Gruyter, 2021).

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity (New York, NY and London: Routledge, 2007).

Edelman, Lee. No Future: Queer Theory and the Death Drive (Durham, NC and London: Duke University Press, 2004).

Ira, Stephen. ‘In Defense of Paranoia, part 1’, Better Yet, 11 August 2021. <https://stephenira.substack.com/p/in-defense-of-paranoia-part-1> [accessed 23 September 2026].

Lavery, Grace E. Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques (Princeton, NJ and Oxford: Princeton University Press, 2023).

Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity, 10th Anniversary Edition (New York, NY and London: New York University Press, 2019).

—. Disidentifications: Queers of Color and the Performance of Politics (Minneapolis, MN and London: University of Minnesota Press, 1999).

Smilges, J. Logan. ‘Seasons of Nonbinary and Neurodivergence; or, So What If We’re All X?’, Women’s Studies Quarterly 51.3 (2023), 29-43.

Walker, Nick. Neuroqueer Heresies: Notes on the Neurodiversity Paradigm, Autistic Empowerment, and Postnormal Possibilities (Fort Worth, TX: Autonomous Press, 2021). <https://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=6870963> [accessed 15 September 2026].

Yergeau, Remi. Authoring Autism: On Rhetoric and Neurological Queerness (Durham, NC and London: Duke University Press, 2018).

Queer Arthuriana at a Crossroads: Thoughts on Lev Grossman’s The Bright Sword (2024)

On very rare occasions a friend will describe a particular facet of a book they’re reading that awakens not just interest but a deep need in me. This was the case when my friend Marita Arvaniti described the characterization of Sir Bedivere in Lev Grossman’s The Bright Sword (2024), a novel that follows the grieving remnants of the Round Table after the fall of King Arthur. The thought of a gay Sir Bedivere with an unrealized love for Arthur, and where that might take him after the fall of the Round Table, took hold and would not let me go. It seemed particularly to chime with the way Alfred, Lord Tennyson’s iteration of the Arthurian tradition in Idylls of the King (1885) lingers on Bedivere as he tends to the mortally wounded Arthur and bears witness to his departure for Avalon, a move that I have always read as an outgrowth of Tennyson’s grief for the Arthur in his own life, his companion Arthur Henry Hallam. As it turned out, The Bright Sword proved a fascinating and rare case study of two very different approaches to representing queerness in modern fantasy within the same text through Bedivere and Sir Dinadan.

There has always been something queer about my interest in Arthuriana, ever since my ninth-grade English teacher, Mrs. Lyon, gave me a spare translation of Sir Thomas Malory’s Le Morte d’Arthur (c. 1470) that she had lying around for help with a school project. (I proceeded to read the whole thing in about a month, which probably wasn’t her intention.) Initially drawn to the Arthurian tradition because of its influence of the fantasy literature I loved, I was struck by its sense of tragedy and melancholy in the context of a close homosocial brotherhood of knights. Jes Battis has identified a symmetry between the ‘narratives based on loss, lack, and misrecognition’ (2007: 3) that characterize medievalist fantasy literature and its source or ‘taproot’ texts, and the melancholy that structures queer life: longing for what is lost, for what cannot be, for what is forbidden. In a context in which I could not view or address my own queerness directly, Camelot and its fall became a way of accessing my desire for closeness with other men and mourning for its lack. Grossman’s address of the queer melancholy that Arthuriana evokes on a textual level has precedent within the tradition, most notably in T. H. White’s exploration of queer self-loathing through his bisexual Lancelot in The Once and Future King (1958).

Grossman’s Bedivere shares the role that he has at the end of Malory’s, Tennyson’s, and White’s versions of the story, but he is also the first knight to pledge himself to the newly crowned king. Upon arriving in Londinium, where knights have travelled from all over Britain to take part in a tournament and try their hands at pulling the sword from the stone that will decide the next king, the young Bedivere blows off the tournament to cruise for casual sex with other men. After a cruising encounter ends disastrously, with the other man trying to mug Bedivere and Bedivere killing him in self-defense, he returns to St Paul’s Cathedral just as young Arthur pulls the sword from the stone and is hailed as King of Britain. Wracked with shame and self-disgust, he embraces service to Arthur as a role that might sanctify his existence in a world that seems to hold no place for him otherwise:

‘This Arthur had in him a spark, a guttering flame, and Bedivere would feed it and protect it till it lit up the whole world. His life meant little to him, but he could make of it a gift for a king, and that was something.’ (69)

Bedivere becomes, for the entirety of Arthur’s rule, his trusted friend and confidant, a position that confers no prestige but with which Bedivere wills himself to be content. The narration outlines that

‘[h]e wasn’t Arthur’s counselor — that was Merlin — and he would never be his champion-at-arms — that was Lancelot. But he was Arthur’s best friend and bodyguard, good-humored and level-headed and utterly trustworthy. […] He made it his business to be the only person in Britain who asked nothing from Arthur other than that he stay alive and on the throne.’ (70)

Bedivere’s insistence on serving Arthur in the most unobtrusive way possible, however, is itself an outgrowth of his latent (and ultimately unrequited) infatuation with Arthur, both fuelled and complicated by the inscrutable face Arthur presents to everyone at court. As a textual figure of legend, Arthur has always been an enigma, a bundle of contradictions: simultaneously a monarchist myth of the good king and a man who genuinely desires justice; a symbol of British Christian nationalism shot through with distinctly un-Christian fairy magic; a paragon of the best of humanity and an embodiment of the impossibility of moral perfection. Grossman’s elevation of the incoherences at the centre of Arthur to the level of characterization is a neat manoeuvre that in many ways extends T. H. White’s interpretation of the tragedy of Camelot as a parable about the impossibility of a just monarchy. Bedivere’s misgivings about Arthur’s reign grow alongside his affection for Arthur as a person. In one flashback, after a feast, a drunken Arthur confesses to Bedivere the original sins that led to his rule — the rape of Igraine and Merlin’s complicity in it — and his fears that all his own striving for moral goodness will never justify his occupation of the throne. Arthur then falls asleep, and

‘[f]or once Bedivere felt free to study his beloved as much as he liked. Asleep, the king looked childlike and at the same time older than his years, all stubble and clogged pores and broken veins. Gazing at him Bedivere felt for a moment every bit the prophet that Merlin was. He could see it all, past, present, and future, and what he saw made him afraid.’ (85)

These flashbacks make clear that Bedivere’s story is one of a man who deludes himself, despite what he knows, that his duty to Arthur will sanctify his desire in a world that cannot tolerate it, and is bereft when he can no longer fulfil that duty. The middle-aged Bedivere we meet in the novel’s present is barely holding it together, drinking heavily to numb his grief over his lost love and his despair at a world that stubbornly continues to exist despite it all. Rarely in fiction, and even more rarely in genre fiction, are we invited to sit with an older gay man’s frustrated desires and grief, and The Bright Sword‘s willingness to do so with Bedivere makes it noteworthy. The flashback chapters detailing his closeness with and unrequited desire for the king, juxtaposed with a present in which Bedivere has already lost Arthur, are so wrenchingly sad that at times I had to put the book down and walk several paces around the room before resuming reading. (To be clear, for anyone who doesn’t know me well, I mean this as a compliment.) Here’s a brief sampling:

‘Seeing the king’s face in the starlight, so glad and so troubled at the same time, Bedivere fell in love with him all over again. According to the priests, sex between men was a sin because it was not in the interest of reproduction, because it wasted the man’s seed. But what about the waste of love? Was that not a sin too?

‘As the desert bloomed around them Bedivere’s love for Arthur hurled itself against the walls of his heart, battered at them, trying to get out, again and again, until finally it fell back exhausted and bloody. It would die inside him, alone and starving. He would never bloom.’ (119)

While Bedivere makes do with casual hookups with other knights, Arthur remains his one true love whom he cannot have, and this fact informs many of his actions in complex ways throughout the novel. His eventual reconciliation with Guinevere, born out of mutual recognition of each other’s love for Arthur, is uneasy and hard-earned. A much later flashback chapter from Arthur’s perspective reveals that ‘Arthur saw the love in Bedivere, though he couldn’t return it, not in kind. It was their Gordian knot, and they could neither solve it nor cleave it in two’ (610). Here, then, is an intimate portrait of a queer life as it might exist in the medieval Britain of the novel’s setting: messy and fraught with heartache, but a life nonetheless, in all its multifaceted glory.

The Bright Sword paints its other queer Knight of the Round Table, Sir Dinadan, in considerably broader strokes. Assigned female at birth, the child Dinadan is plagued by a growing conviction that he is a boy and a jealousy of his twin brother’s training in swordsmanship, while Dinadan is schooled at a neighbouring convent. What follows is a fairly rote story of trans self-actualization: at a loss for how to realize a life as a man, Dinadan summons a fairy who, in lieu of physical transition, leads him to a secret place under a lake where Dinadan can train in swordsmanship by night. Upon reaching adulthood, he spurns a political marriage in favour of a life at Camelot as a Knight of the Round Table. And … that’s about it. Aside from his flashback chapter and the novel’s climax and conclusion, he mostly recedes into the background of the narrative, just one of the company of knights questing throughout the novel. Even an early scene hinting at Dinadan’s transness, in which he refuses to bathe with the other knights, is so boilerplate that it calls to mind near-identical scenes from Barbra Streisand’s Yentl (1983) and Disney’s Mulan (1998). Later, when he does bathe with Sir Collum and Sir Palomides, the only reaction from the other knights is disinterested affirmation, whereas the most insight we get into Dinadan’s feelings about the situation is that ‘[h]e was letting Collum in on something, on purpose, but he was still wary’ (569).

Beyond the bare fact of his transness, Sir Dinadan is a blank; even his chosen name is something of an afterthought, by his own admission. (‘It could be anything,’ he reflects. ‘Sir Ringading. Sir Falala’ (281)). Who is this person? What does he value and desire beyond, in addition to, transition? Dinadan longs to be a knight, but we get little insight into what draws him to knighthood, specifically, aside from its masculine trappings. In the novel’s present, Dinadan is a skilled fighter with an unconventional duelling technique learned from his fairy swordmaster, but these external attributes tell us little about him. We are told, repeatedly, that he is renowned throughout Camelot for his wit, but a couple of throwaway potshots at Sir Dagonet are the extent to which this comes into play in almost 700 pages of text. The most interesting thing the text does with Dinadan is locate his transness in the tradition of crossdressing Christian saints of late antiquity and the early Middle Ages. But even this comes off as a defensive manoeuvre against bad-faith claims of anachronism rather than emerging organically from the character, given Dinadan’s apparent lack of interest in matters of religious devotion and the fact that it never comes up again. In an otherwise theologically rich novel fraught with questions about the will and nature of God, this is conspicuous.

By now it’s probably obvious that I find one of these characters significantly more compelling than the other, and here I must acknowledge that it happens to be the character with whom I share the most in common, both experientially and from an identitarian standpoint as a cisgender gay man. However, my reading of these two very different presentations of queerness in The Bright Sword is less about what personally resonates for me than about who gets to be a flawed and nuanced individual and who is asked to be a flat stand-in for an entire identity group. Bedivere’s feelings about his gay desires remain unresolved at the novel’s conclusion; he swings wildly between reckless pursuit of them and weary resignation to his loneliness, between self-justification and self-loathing. He is tender-hearted and loyal to Arthur to the point of rigidity, and this leads him to misjudge other characters, Guinevere chief among them. Dinadan, meanwhile … is trans. Readers of Queering Faith in Fantasy Literature will know that my issues with Dinadan are comparable to my criticism of the character of Eolo in Ann Leckie’s The Raven Tower (2019); in both cases, the text feels so scrupulously concerned with avoiding offense in its presentation of a trans character that it forgets to invest them with any kind of interiority or distinctive outlook. (Leckie’s novel gets away with this slightly better by virtue of the fact that all of the human characters are deliberately presented at a chilly remove, but only slightly.)

This gravitation toward the general over the particular is symptomatic of a broader trend in how modern genre fiction approaches a variety of marginalized identities, epitomized by the slogan ‘representation matters’. The thinking here goes that the most important strategy for correcting a historical lack of diversity in science fiction and fantasy is to ensure that readers see their own identities reflected in the fiction they read. My current long-term writing project includes a longer and more in-depth critique of this line of thought, but in brief: the problem here is not the desire for diversity itself (otherwise I wouldn’t be writing this blog post). The problem (or one of them) is that modern genre fiction and criticism tend to reduce the lived experiences of diverse readers down to abstracted markers of identity, an approach that, to quote Samuel R. Delany, ‘tends to assume that the individual’s subjective field is one with the field of social statistics’ (1999: 74). In Andrea Long Chu’s words, it is ‘to respond to pigeonholing by overstating the value of being a pigeon’ (2025: 255). Fictional characters start to be evaluated based on how well they ‘represent’ the various identity categories they inhabit — which is another way of saying how well they can serve as model minorities, as emblems who can be both flattering to a reader who shares a given character’s marginalized identities and educational to readers who do not.

Approaching queerness as an identity that can be generically represented is especially problematic because it removes the animating engines of queerness — desire, the forces that shape it, and the tensions that emerge from its pursuit — from the equation. As C. L. Clark argues, ‘[i]nstead of stopping at the generalization of a character’s type, we must imbue them with unique personalities driven by the specifics of their world–enough personality to be disliked by some, enough honesty to admit their desires, and enough humanity to make mistakes in the attempt to reach them’. Grossman clearly understands this, because he achieves it beautifully with Bedivere, and it is frustratingly telling that he does not afford the same level of nuance to characters who are not cis men. His Lancelot is driven to religious fanaticism by his longing to recapture the unity with God he feels when performing divine miracles and his anxiety that he can never earn God’s love; meanwhile, Grossman seems unable or unwilling to imagine a Guinevere who has sympathetic motivations for cheating on her husband, resulting in one of the novel’s biggest departures from other iterations on the Arthurian tradition. (‘Let Guinevere fuck!’ exclaimed my friend when we were discussing the novel.) Even the debt the fairies demand of Dinadan in exchange for his training, that he kill Merlin, is robbed of any narrative friction by the fact that Grossman’s Merlin is an irredeemable villain: power-grubbing, opportunistic, and sexually predatory.

With Bedivere, the reader is offered insight into a person’s complex psychology surrounding his own desires, and how that shapes his behaviour. By contrast, passages such as the following, when Dinadan as a child glimpses his reflection wearing boys’ clothes for the first time, evoke nothing so much as the author patting himself on the back:

‘He felt real, realer that she did, as if she were the rippling insubstantial reflection and he the real thing. She knew at that moment that she didn’t want to be insubstantial anymore, she wanted to be real. She wanted to be that boy. No, she already was him–that boy was who she’d always been. She was he.’ (262)

There’s nothing wrong here, per se, but it lacks a certain lived-in quality that Bedivere’s chapters possess in spades. It hits the obvious beats of this kind of coming-out story and nothing more, and hits them with such blunt force as if to directly say to a trans reader, ‘Do you feel represented now?’ It’s a bit patronizing, especially in a literary landscape populated by excellent novels by trans authors interested in facets of trans lives other than coming out. (Go read Dead Collections (2022) by Isaac Fellman. Or, if you want to see the type of trans self-realization that Grossman attempts here done well in a fantasy context, read The Sapling Cage (2024) by Margaret Killjoy.)

Arguably, The Bright Sword ends up falling short even of the goal not to offend by the conclusion of Dinadan’s story. Throughout the novel, the witch Nimue continually reminds the other characters of the prophecy that Merlin can only be killed by a man. Naturally, it is Dinadan who deals the finishing blow to the wizard, thereby both fulfilling his debt to the fairies for his training as a swordsman and proving, once and for all, the metaphysical reality of his manhood. But before this occurs Dinadan is first stripped naked, forcibly outed, ridiculed, and misgendered by Merlin and his new liege, Lancelot, who takes the throne of Camelot seeking to remake Britain as a rigid theocracy. One might expect anyone to be, at the very least, rattled by such a humiliation ritual. Not so with Dinadan, who remarks that he ‘almost feel[s] like [he] owe[s] those sons of bitches’, that he’d ‘kept the secret too long’, and that ‘the best thing [Lancelot] ever did’ was out him (657).

This dialogue betrays a stunningly naïve misunderstanding, on the novel’s part, of the complexities of being ‘out’ as a trans person that is especially ill-suited to the political realities of the 2020s. In particular, Dinadan’s sense of obligation sits uncomfortably alongside the immediate context of the novel’s publication in the United States, where already in 2024 multiple states had introduced bills mandating genital inspections for trans people, including children. It confuses the choice to be visibly trans as an act of self-determination with the experience of exposure as a condition of surveillance and scrutiny. Even at best, Dinadan’s nonchalance about the latter renders this instance of trans representation a power fantasy that sidesteps the difficult human emotions that would make such representation resonant in the first place.

I am very, very far from hating The Bright Sword. Grossman has a lot of interesting things to say about the phenomenon of Arthur and the story he tells about Britain’s self-identity and who it includes, and his perspective is especially provocative on the subject of religion. On the whole, I enjoyed reading it and reigniting my interest in Arthuriana. But queer lives do not exist to be pat object lessons for straight cis people, and the older I get the less patience I have for representations that seek merely to validate and explain our own identities back to us. Fantasy literature and its attendant fan cultures and institutions often implicitly presume that a queer reader is someone coming to an understanding of their desires and self-determination for the first time, who looks to the text to affirm that process. They seem to have a harder time imagining readers like me and most other queer people I know: people coming to the text in the middle of life, with established relationships to queer cultures and communities outside of genre fandom. Bedivere, as rendered by Grossman, speaks to the inherent messiness of queer life in a way that is genuinely refreshing and deeply poignant. Dinadan, meanwhile, cannot seem to escape the confines of a textual world in which cis men can be anything, and everyone else is ‘representation’.

Works cited

Battis, Jes. ‘Queer Spellings: Magic and Melancholy in Fantasy-Fiction’ (unpublished doctoral thesis, Simon Fraser University, 2007).

Chu, Andrea Long. ‘You Must Decide’, in Authority: Essays on Being Right (London: Penguin Random House, 2025), 250-256.

Clark, C. L. ‘Everyone’s in Love, but Nobody’s Horny’, Reactor, 30 September 2025. <https://reactormag.com/everyones-in-love-but-nobodys-horny/> [accessed 10 September 2026].

Delany, Samuel R. ‘Coming/Out’, in Shorter Views: Queer Thoughts and the Politics of the Paraliterary (Hanover, CT and London: Wesleyan University Press, 1999), 67-97.

Grossman, Lev. The Bright Sword (London: Penguin Random House, 2025).